WILD ORDER
(22 pieces)
When walking through the city, one often feels curious about what happens inside the buildings that form it—those inert masses among which we circulate, yet which are full of anonymous lives, both near and far at the same time.In Wild Order, I create small three-dimensional reproductions of buildings where I imagine what happens inside, allowing us to spy in a way reminiscent of James Stewart in Hitchcock's Rear Window or the comics 13, Rue del Percebe by Ibáñez. Beyond the magic or intimacy, there is also humor present here.

What we see are surreal scenes à la Magritte (like a jockey riding a fish, in the piece Water Rider) or the harsh solitude of the urban environment, as in Hopper (the suicidal woman in the piece House of Terror). Our lives are fleeting, they happen in a breath, but buildings survive generations, always very still in their place. Except in the case of the one starring in the piece Awakening: it has grown a pair of legs ready to escape, perhaps from the rampant real-estate bubble.